how to play come as you are on guitar
To play “Come As You Are” on guitar, you’ll mainly need: your guitar tuned down a whole step, the iconic open-string riff on the low strings, and four key chords (F#sus4, A, B5, D5) for the heavier sections.
Quick Scoop
- Song is in E minor concert pitch, but because the guitar is tuned down a whole step, you actually play it as if you’re in F# minor.
- The main hook is a repeating riff using mostly open strings on the 6th (low) and 5th strings.
- Once you have the riff, add the simple power/sus chords for the bridge and chorus (F#sus4, A, B5, D5).
Step 1: Tuning (Very Important)
Kurt Cobain recorded the song in D standard : every string is tuned down one whole step.
- Standard tuning: E A D G B E
- D standard for this song: D G C F A D (low to high)
You can learn the shapes in normal tuning, but to play along with the original track you’ll need to tune down to D standard.
Step 2: The Main Riff (Low Strings)
The famous intro/verse riff is built on the low 6th and 5th strings, mostly using open notes and a couple of fretted notes.
Conceptually:
- Alternate between:
- Open 6th string (tuned to D in D standard)
- Open 5th string (tuned to G in D standard)
- Add fretted notes at:
- 2nd fret of the 6th string
- 1st fret of the 6th string later in the phrase
Rhythm tip:
- Count eighth notes : “1 & 2 & 3 & 4 &” and use mostly downstrokes for that steady grunge pulse.
Step 3: The Chords You Need
Once you move past the riff, you’ll use four main chords for bridges and chorus sections.
- F#sus4
- Built from notes F#, B, C#; gives a suspended, tense sound that fits the dark mood.
- A
- Played simply as an open A-style chord or with one finger across the 2nd fret on the middle strings.
- B5
- Power chord on the 2nd fret position: root on the 5th string, adding the 4th string and optionally the 3rd.
- D5
- Power chord shape around the 5th fret, using three notes on neighboring strings.
These are strummed using a driving eighth-note rock feel (down-up or mostly downstrokes), still locked into that “1 & 2 & 3 & 4 &” groove.
Step 4: Tone and Feel
To sound closer to the record:
- Use a clean tone with chorus effect on the main riff.
- Kick in distortion/overdrive (a DS-1 style sound) for the louder bridge/chorus sections and solo.
- Keep your picking hand relaxed; the song lives on a steady, hypnotic pulse rather than flashy speed.
Step 5: Where to Practice With Full Lessons
If you want full breakdowns with visual tab and play-along:
- Full-video lesson with all parts (riff, chords, solo).
- Beginner-friendly riff focus and chord overview.
- In-depth written breakdown of chords and groove in F# minor.
TL;DR: Tune down to D standard, learn the open-string low-E/low-A style riff with eighth-note feel, then add F#sus4, A, B5, and D5 for the choruses and bridge, using clean+chorus for the riff and distortion for the heavy parts.
Information gathered from public forums or data available on the internet and portrayed here.